CAPTURE ONE IPAD PRO HOW TO
CAPTURE ONE IPAD PRO MANUAL
CAPTURE ONE IPAD PRO PRO
CAPTURE ONE IPAD PRO SOFTWARE
CAPTURE ONE IPAD PRO PROFESSIONAL

To not delay the release of Capture One for iPad, we have chosen to launch it with a reduced set of features. Which features will be available in Capture One for iPad? The result of this research is features like our two-handed UI, hand gestures used to control the tools, such as long pressing on the screen to see the before and after of your photo, or the amount of space dedicated to your images on the screen. Our team of user researchers, UX designers, and UI designers have studied when, where, and how you would use the iPad app and made an interface to fit. To make sure that the app meets the needs of photographers on the go and is easy to navigate for both new and veteran users, we have created a whole new design for the best user experience. If you are used to working on Capture One on your desktop, you will notice that Capture One for iPad looks different from the interface that you know. RELATED: Retoucher Jan Wischermann on using Capture One for iPad on the go Unique app design for a better user experience

CAPTURE ONE IPAD PRO PRO

If you would like to refine your images even further when you get home, upload your album to the cloud, import it into Capture One Pro on desktop, and continue working from where you left off. Once you are done editing, you can show your images on the screen to team members and clients when together on location or by exporting them as JPEGs.

CAPTURE ONE IPAD PRO MANUAL

Filter your best ones and start editing using either Styles or manual adjustments. See your images in all their glory on the iPad screen, quickly swipe through, and rate or color tag them. With the Capture One for iPad app, you can plug your camera directly into your iPad, import hundreds of photos, organize them and get to culling. We have also looked at the usage data to find the must-have tools for mobility.

CAPTURE ONE IPAD PRO PROFESSIONAL

Throughout the development of the app, we have spoken to professional photographers about their needs and wishes. The new Cloud Transfer system lets you start on the go using the iPad and make the final touches at home on the desktop by transferring your work smoothly across devices – helping you get the most out of your time, money, and images.

Even though the iPad app works perfectly well on its own, the two products work even better together. The Capture One for iPad app has been created to complement the Capture One Pro desktop app. What can you expect from Capture One for iPad? In this article, we will answer some of your most asked questions about the app and share some of the decisions behind the creation of Capture One for iPad.

CAPTURE ONE IPAD PRO HOW TO

On June 28, Capture One for iPad will be available in the App Store in all countries.Ĭreating the iPad app has meant making choices about how to best serve our community of photographers and meet their needs in a timely manner. However, digital has its advantages.Soon you can take your workflow on the go. Now, when the days are over, it's downloading the cards, do a fast cull, and then back up the images. On photo trips, I'd shoot, and then at the end of the day, put my film in a cooler or fridge, put my feet up and read a good novel. Sometimes I miss the slide film days too. Maybe I just spent too much time in the darkroom but I remember when it was bad luck to review negatives while they were still drying even though you really really wanted to. I also see being cautious as I know we are going to look back to this point in the internet's life and think oh how innocent/naive we were. While I understand the instant gratification of reviewing and therefore working on your recent project, most likely a tablet.

CAPTURE ONE IPAD PRO SOFTWARE

I hate that software needs to call home at all. My editing workstation only touches the internet for software updates and so software can make it's occasional call home. I remember way way back working for a very prominent photographer who had a computer system that was NOT allowed to touch the internet, even though everything was being photographed with film. When police departments have to pay ransom, when international gas companies with IT departments need to pay why am I taking any extra risk having data jump between the internet and a costly editing station.

Not to mention that editing stations are most likely connected to multiple drives It just seems like these little bits of convenances are adding a lot of risk to our systems in terms of internet security. I really wonder how many years we are going to have this blissful internet innocence? Real editing workstations cost a lot of money today, travel, production costs, deadlines put so much demand not to have hiccups.

Capture one ipad pro